'In times of coercive politics and transnational terror, slowing down so as to learn to listen anew is a necessity ... The question is not so much to produce a new image as to provoke, to facilitate, and to solicit a new seeing. Science without conscience, politics without ethics, technology without poetry result in deadly short-circuits. We've had to learn this, not only through disastrous political events, but more intimately through one's own body when it is under stress - the wired-up body that takes months to wind down, to recover, or to find its own rhythm. Non-being is what we use in working with being ... when we start taking care of this utter silence, life speaks to us in a different language, one in which we catch glimpses of stillness in movement and feel movement arising in stillness. Velocity in stillness ... Speed is here not opposed to slowness, for it is in stillness that one may be said to truly find speed. And rather than merely going against speed, stillness contains speed and determines its quality. Speed at its best … is still speed. The speed of a flower mind.'
Trinh T. Minh-ha, 'Still Speed', The Digital Film Event, 2005.
A collection of texts and images about contemporary art, performance, film, writing, music, people, politics, places, animals, collaborations, encounters, walking, the weather, the sea, Sicily etc. Traces of recurrent fascinations and obsessions, as well as occasional detours and dead ends. A partial register of the present's unfolding, of some of the shapes it has taken in the past and perhaps it could take in the future ...
'There was a whole collection made. A damp cloth, an oyster, a single mirror, a manikin, a student, a silent star, a single spark, a little movement and the bed is made. This shows the disorder, it does, it shows more likeness than anything else, it shows the single mind that directs an apple' (Gertrude Stein, 'Tender Buttons')